纺织学报 ›› 2018, Vol. 39 ›› Issue (01): 126-132.doi: 10.13475/j.fzxb.20170401107

• 服装工程 • 上一篇    下一篇

明代青花纹样在旗袍上的应用效果

  

  • 收稿日期:2017-04-06 修回日期:2017-08-29 出版日期:2018-01-15 发布日期:2018-01-16

Application effect of blue and white patterns of Ming Dynasty on cheongsam

  • Received:2017-04-06 Revised:2017-08-29 Online:2018-01-15 Published:2018-01-16

摘要:

为探讨中国青花瓷文化与旗袍文化的碰撞效果,丰富旗袍设计的图案元素,以承上启下的明代青花瓷纹样为代表,精选了18种具有代表性的明代青花纹样,运用Photoshop与CorelDraw软件,将18种纹样设计成同款不同纹的旗袍。同时以20-35岁的女性为调查对象,运用感性工学及因子分析法对所设计的旗袍进行效果研究。对18款旗袍的感性词进行因子分析后得出3个因子:活力因子、气质因子及外观性格因子,并构建出了18款旗袍与3因子之间的关系图,此图可解释不同青花元素在旗袍视觉效果上所起的隐性作用。研究结果表明,不同的青花纹样可表现出相同的特征,其由诸多因素构成,18种青花纹样在旗袍上的运用视觉效果甚佳。

关键词: 青花纹样, 旗袍, 视觉效果, 感性工学

Abstract:

In order to explore the collision effect of Chinese blue and white porcelain culture and cheongsam culture, and enrich the pattern elements of cheongsam design, eighteen types of typical blue and white patterns in Ming Dynasty were selected. By using different software such as Photoshop and CorelDraw, the same style cheongsam with those eighteen different patterns was designed. The demographic group of 20-35 years old female was selected as the object to study the effect of the designed cheongsam by Kansei engineering and factor analysis. Through the factor analysis of sensual words on those eighteen different types of cheongsam, three factors of cheongsam, three factors of vitality factor, temperament factor, and appearance character factor were obtained. The diagram with the relationship between eighteen types of cheongsam and three factors was constructed, which can explain the implicit roles of the different blue and white patterns in the cheongsam played on the visual effects. Different blue and white patterns can exhibit the same characteristics, which consists of many factors. The visual effects of the eighteen types of blue and white pattern is very good on cheongsam.

Key words: blue and white pattern, cheongsam, visual effect, Kansei engineering

[1] 史玉媛 申鸿 魏振乾. 腰省量分配对无袖修身旗袍造型的影响[J]. 纺织学报, 2018, 39(08): 105-109.
[2] 朱博伟 刘瑞璞. 旗袍三个发展时期的结构断代考据[J]. 纺织学报, 2017, 38(05): 115-121.
[3] 周小溪 梁惠娥 陈潇潇 董稚雅 秦潇璇. 春夏季衬衫用色织面料材质的感觉评价[J]. 纺织学报, 2016, 37(08): 59-64.
[4] 高维 肖军. 基于女大学生的服装设计感性评价个体差异[J]. 纺织学报, 2014, 35(5): 137-0.
[5] 陈研 张竞琼. 近代改良旗袍造型中的西方元素[J]. 纺织学报, 2013, 34(6): 93-97.
[6] 陈研 张竞琼 李向军. 近代旗袍的造型变革以及裁剪技术[J]. 纺织学报, 2012, 33(9): 110-115.
[7] 刘建萍;张毅;李英琳. 面料热塑性对旗袍塑型方法的影响[J]. 纺织学报, 2008, 29(5): 89-93.
[8] 施静. 热缩膜成型皱缩面料的感性形象分析[J]. 纺织学报, 2008, 29(4): 67-70.
[9] 王莹;陈雁. 利用感性工学原理设计学生装[J]. 纺织学报, 2007, 28(3): 96-99.
[10] 王莹;陈雁. 冬季女外套款式感性研究和应用[J]. 纺织学报, 2007, 28(11): 97-100.
[11] 江影;刘国联. 消费者对T恤衫形象的感性需求调研分析[J]. 纺织学报, 2006, 27(2): 98-100.
[12] 张鸿志<sup></sup>高维<sup></sup>. 旗袍纸样的计算机辅助设计[J]. 纺织学报, 2005, 26(1): 104-106.
Viewed
Full text


Abstract

Cited

  Shared   
  Discussed   
[1] 李秀华. 新型的改性PVA浆料[J]. 纺织学报, 1987, 8(11): 40 -41 .
[2] 陈奇明. ZM-20型维面钢领与ZBE型钢丝圈鉴定会[J]. 纺织学报, 1985, 6(09): 64 .
[3] 聂凤明;赵耀明;麦杭珍. 纺粘法丙纶非织造布的亲水化处理研究[J]. 纺织学报, 2000, 21(02): 37 -39 .
[4] 黄龙全;徐英莲;傅雅琴. 纳米羟基磷灰石对光催化棉织物的保护性能[J]. 纺织学报, 2008, 29(2): 60 -63 .
[5] 吕根宝. 多国服装加工工艺和设备展览会概况[J]. 纺织学报, 1990, 11(07): 7 .
[6] 万振凯 贾敏瑞. 基于磁通图像的平板三维编织复合材料试件内部缺陷检测[J]. 纺织学报, 2015, 36(08): 49 -55 .
[7] 陈德平;李秀真;伍非;田建林. 络筒机数控卷绕装置控制系统的研究[J]. 纺织学报, 2000, 21(05): 31 -33 .
[8] 洪迺彬. K252丝织机打纬机构的运动学分析[J]. 纺织学报, 1981, 2(03): 53 -56 .
[9] 张欣;姚穆;李毅;杨国荣. 纺织品及服装力学性能工程设计的发展(Ⅰ)[J]. 纺织学报, 2003, 24(05): 116 -117 .
[10] 赵海凤;汪澜;林俊雄. 超声波对棉织物活性染料染色的作用机制[J]. 纺织学报, 2009, 30(03): 62 -66 .