纺织学报 ›› 2008, Vol. 29 ›› Issue (11): 103-106.

• 服装工程 • 上一篇    下一篇

解读惠安近代服饰纹样中的文化寓意

张振岳;高卫东   

  1. 江南大学纺织服装学院;温州大学服装学院;
  • 收稿日期:2007-11-22 修回日期:2008-07-09 出版日期:2008-11-15 发布日期:2008-11-15

Cultural analysis of garment pattern of modern times in Hui′an

ZHANG Zhenyue;GAO Weidong   

  1. 1.School of Textile & Clothing;Jiangnan University;Wuxi;Jiangsu 214122;China;2.Fashion Institute;Wenzhou University;Wenzhou;Zhejiang 325035;China
  • Received:2007-11-22 Revised:2008-07-09 Online:2008-11-15 Published:2008-11-15

摘要: 作为服饰文化的一种物质载体,惠安近代服饰纹样是依存于其特有服饰之上的一种精神艺术与物质艺术共融的表现形态。通过对惠安近代服饰纹样的深入分析与研究,对惠安近代服饰纹样的发展缘由、服饰纹样的主要题材及其表现手法、服饰纹样的文化寓意等方面进行了比较系统的阐述与总结。其纹样的发展缘由,应与惠安女的审美意识、宗教信仰观念以及惠安族群多元文化的渗透与交融性有着一定的联系;其文化寓意的主题则凝聚了惠安女的智慧,表现了她们向往和追求美好愿望的渴求。

Abstract: As a vehicle of costume culture,garment pattern of modern times in Hui′an is a representation of blended arts of spirit and material that attached to its peculiar dresses.Through the research of garment pattern of modern times in Hui′an,the article expatiates systematically the cause of development,themes,means of expression,and cultural connotations of the pattern.The development of garment pattern has some connection with the aesthetic consciousness and religious belief of Hui′an women and multi-cultural penetration of the groups of Hui′an.Its cultural connotations coagulate the wisdom of Hui′an women and express the beautiful wishes they yearn for and pursue.

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