JOURNAL OF TEXTILE RESEARCH ›› 2012, Vol. 33 ›› Issue (4): 115-118.

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Kyrgyzstan number “3” in the Hmong batik patterns of artistic

 CHAI  Song-Hua1, LING  Hui-Hui2   

  • Received:2011-04-29 Revised:2012-01-31 Online:2012-04-21 Published:2012-03-23

Abstract: Batik is a traditional art of the Miao ethnic minorities, especially in a wonderful work, there are a lot of batik patterns and guitar number“3”-related artistic expression, which uses association to Seeing the contrast set off by such means, and through Kyrgyzstan。Number“3” pattern described by its nature and characteristics of things manifested directly, through he was this, to focus on, simple, twists and turns in the performance results.Miao batik created by working people to natural phenomena personified, idealized, socialization, the use of meaning, euphony, symbolic forms, to create graphics and the perfect combination of auspicious meaning, showing the "Harmony" ideas.Which Kyrgyzstan is the number "3" in the batik in the highest level of artistic expression.

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